중년의 대학교수가 초등학생 아들을 데리고 이혼한 아내의 집을 찾는다. 교수의 전처는 이혼 후 커밍아웃을 하고 레즈비언 파트너와 동거 중이다. 보호자 역할을 교대하는 과정에서 교수는 전처의 파트너와 단 둘이 남게 된다.

平是做色情电影的，他觉得这一行业没什么不好，这一行业对一个受压抑的社会是有益的，他用赚来的钱资助他的房东太太春及其家庭，不时的，他会和春睡觉，尽管相信春那已经化身为一条鲤鱼的亡夫反对她这么作；平很关心春的儿女，但是他自己又和春的女儿有不清楚关系，春死后，平对性、人性以及社会感到极端困惑，竟然做起了真人玩具，以为这样可以解决让他困扰已久的社会问题。

平是做色情电影的，他觉得这一行业没什么不好，这一行业对一个受压抑的社会是有益的，他用赚来的钱资助他的房东太太春及其家庭，不时的，他会和春睡觉，尽管相信春那已经化身为一条鲤鱼的亡夫反对她这么作；平很关心春的儿女，但是他自己又和春的女儿有不清楚关系，春死后，平对性、人性以及社会感到极端困惑，竟然做起了真人玩具，以为这样可以解决让他困扰已久的社会问题。

Okinawa has a history of colonization by Japan and now by the United States with its military base located there. In Chikako Yamashiro’s Mud Man, the World War II battle is revitalized in the memories of the dead/sleeping people in the mud by a drop of bird shit. Awakened, they start to recognize the voices in the air, resonating with those of the Korean Jeju Island with which they share a historically traumatic experience. The vibration of hands clapping leaves the hands and reaches the ears where it is perceived as sound. The drifting sound is embodied by moving images. The “people of the soil” are people of the remnants that appear as if in a dream in the instant of the vibration of sound.

Okinawa has a history of colonization by Japan and now by the United States with its military base located there. In Chikako Yamashiro’s Mud Man, the World War II battle is revitalized in the memories of the dead/sleeping people in the mud by a drop of bird shit. Awakened, they start to recognize the voices in the air, resonating with those of the Korean Jeju Island with which they share a historically traumatic experience. The vibration of hands clapping leaves the hands and reaches the ears where it is perceived as sound. The drifting sound is embodied by moving images. The “people of the soil” are people of the remnants that appear as if in a dream in the instant of the vibration of sound.

独眼汉拉斐尔和母亲住在一起，负责看护一座庄园。自从庄园主去世后，他都过着平静的生活，照顾年迈的母亲，满足女邮差的某些需求，参加乐队的排练和表演。他年近六旬，身材魁梧，他知道自己让人害怕，所以不曾有过任何奢求。但女继承人加朗丝回到庄园的那天晚上，一切都改变了......（華堅馮力士）

独眼汉拉斐尔和母亲住在一起，负责看护一座庄园。自从庄园主去世后，他都过着平静的生活，照顾年迈的母亲，满足女邮差的某些需求，参加乐队的排练和表演。他年近六旬，身材魁梧，他知道自己让人害怕，所以不曾有过任何奢求。但女继承人加朗丝回到庄园的那天晚上，一切都改变了......（華堅馮力士）

2008年，《纯种犬曝光》揭示了令人震惊的纯种狗健康问题。观众通过影片了解到，狗狗之间的近亲交配十分普遍，结果是它们的后代将遭受令人难以接受的畸形和疾病。影片引发了一场史无前例的全球争论和行动。《血统犬有害培育揭秘》将分析这部爆炸性影片的影响，并且提出问题：这些狗狗能否康复，又或者仍将被人们遗忘？

著名的左翼记录片导演亨利.斯特罗克受布鲁塞尔的一个左翼电影俱乐部之邀，拍摄一部反映比利时博里那杰地区煤矿工人遭受压迫剥削的电影。 　　 　　斯特罗克邀请了伊文思和他和作，2人潜入这个梵高曾经久居的地方进行秘密的拍摄，拍摄出来的结果和梵高的诗意的画作完全相反。 　　 　　工人过着贫困的日子，冬天甚至没有煤来取暖，政府的煤堆积成山直至变质，工人的罢工和示威遭到镇压，但是他们还是举着马克思的画像不断斗争。 　　 　　30年代的记录片基本全是摆拍，这样的背景下，斯特罗克和伊文思的秘密拍摄在一些场景完全达到了记录片的忠实记录，而影片鲜明的观点更是对后世的社会功能型记录片影响颇深，片子尖锐的影响和观点使得片子迅速在比利时和荷兰遭禁，但是片子在30年代的欧洲电影俱乐部光为流传，好评如潮，记录片将进入一个新的时代。